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Posts Tagged ‘first novel’

ah-ha momentFor the past few years, I’ve listened to well-meaning comments from two writing groups, manuscript evaluators and uninterested agents. After a particularly brutal critique session this past weekend, my brain finally kicked and I experienced an “ah-ha moment”.

I had lost my title character.

A comment made several months ago at a mystery writers conference to “start with the body” sent me off on a major rewrite to move my chapter thirteen to page one. This forced me to re-introduce my potential suspects after the body dropped. What I sacrificed was providing my future readers with a sense of my characters as they responded to each other. Without real-time dialogue, the victim morphed into dreaded and story-slowing back story.

And so, last Saturday, as I drove home with my ego bruised and my head spinning, it occurred to me that all along I’ve been categorizing my story in the wrong genre. Since the first word was put to the page…or more accurately, onto the screen… I’ve considered it a mystery, but it doesn’t start out that way. It’s more accurately defined as perhaps ‘women’s fiction” that becomes a mystery with a dash of romance along the way. I’ve just found a blog called “Women Fiction Writers” and subscribed.

I’m no longer writing for some unknown agent or publisher with an unknown laundry list of what sort of story they are seeking at the moment. I am writing for myself. The story that has been in my head since the beginning has resurfaced and set me free. Will I self-publish? Most likely.

Are my instincts right? Who cares! All I know is that I’m reinvigorated about bringing my original concept to life on the page!

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hands on keyboardThis past weekend, I attended Crime Bake in Dedham, MA. Sponsored by Sisters in Crime and Mystery Writers of America, this conference is always inspiring, but not without its disappointments to a budding author.

First, there was the ‘First Page Critique’ session after lunch on Saturday. When my first page was read, only one agent defended my efforts because she has seen my progress. But neither she nor the other four agents raised a hand to indicate they would read further.

Second, my pitch to an agent, hoping to hook her into asking for my first three chapters, fell on deaf ears. This could be my fault, because I decided to change my genre from mystery to romantic suspense after the pitch practice session on Friday night. I’m going back to mystery genre.

Third time was a charm! My manuscript evaluation was provided by Ray Daniel, a Boston author. He pointed out that although my writing is good, and my verbs are strong, I’m asking my reader to hang in with me for a third of the novel before we find out that there is a body. Over the months, I’ve changed my opening scene too many times to count, but Ray’s words made sense to me. I finally got it!

So I flew out of bed early on Sunday morning, rushed to my computer and opened a new file. I pulled Chapter 12 forward, did a bit of tweeking and printed off a new page one. When I arrived at the Dedham Hilton for the final day of the conference, I bumped into Ray within minutes and asked what he thought of the new first page. He gave it a thumbs up…yea!

My writing days will now include not only regular revision, but a re-sequencing of my chapters to move my suspects into the middle.

But, oh,  how exciting this is!

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imagesWell, today was the deadline to submit 15 pages for a manuscript evaluation at the upcoming Crime Bake Conference, sponsored by Sisters in Crime and Mystery Writers of America.

After several revisions, I managed to condense the first 13 pages of my story to end with Chapter 2 where the initial hook hopefully sinks in. The first page was a cover sheet, and the second a one-page synopsis. How difficult was that to write??? All the broad strokes on one page!

My submission will be assigned to an agent, an editor, or a published mystery writer for evaluation. I’ll find out who when I register on November 8.

The two of us will find a quiet corner in the Hilton Hotel and spend fifteen minutes together. She will tell me what she thinks of my story and my writing. It will be a nerve-wracking experience, but a necessary evil. After sending my story through two separate writing groups, eliminating my original opening chapters and many unnecessary scenes, plus rewriting the first page a gazillion times, I can only hope that my evaluator thinks my story is in pretty good shape.

During this conference, I will also pitch my book to the attending agents. Maybe I’ll finally get a bite!

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phrasesEver since I stepped onto the pathway to write a novel, I’ve never stopped reading or listening to stories written by the many talented authors we now enjoy. Whenever I hear a phrase that rings true to my characters or my plotline, I jot them down for possible use in my own story. I can usually picture the exact scene and paragraph in my manuscript where a particular phrase will fit perfectly.

At the various conferences and workshops I’ve attended over the years, several class leaders have advised that this “borrowing” is an accepted practice, and that the original creator of the phrase should be flattered!

However, in the interest of not plagiarizing another author’s efforts, I strive to alter the actual words while keeping the spirit of the phrase intact.  Here are a few examples of recent gems:

“She drew a shaky breath”; “her voice vibrated with rage”; “he eased off the gas pedal”, “she cast a suspicious look”; “he nodded her into a chair”; “she depressed the disconnect button”.

I will continue to listen for other delightful phrases that have potential to transform my story into a more textured and interesting read.

 

 

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group discussion2This week heralded the 51st Anniversary of the Cape Cod Writers Center Conference. Previously hosted in the quaint village of Craigville, last year the conference organizers found it necessary to move to the larger and more attendee-friendly Resort and  Conference Center of Hyannis, Massachusetts. With the growing number of attendees, the need for additional parking and WiFi access became crucial.

The classes offered were top-notch, with instructors from around the country. One of my classes was titled, “Five Pillars of Promotion”, and detailed the actions necessary ahead of publication, along with a timeline to insure that a newly printed book is well received.

Another class was called, “Pitches, Queries, and Proposals”. This workshop was taught by a husband-wife team who entertained us with their friendly disagreements.

My third and final session was named, “Conference Idol”, and was perhaps the most valuable hour I spent this past week. Three agents sat at the front of the room. Each attendee submitted their first page, identified only by title and genre. As the page was read, each agent lifted her hand when she heard something that would cause her to stop reading. When two hands went up, the reader halted her recitation, and the agents explained why they would go no further if this story was submitted to them for consideration. Whether they were commenting on my first page or someone else’s, the insight garnered from the perspective of the agents was invaluable.

As a bonus, one of those agents offered to sit down with me and review my first page word by word. I readily accepted, and she suggested several improvements, among them moving a strong sentence halfway down the page to be the first sentence. What a difference that made! I must have rewritten that first page more than twenty… or more!…times, but I now think it’s finally beginning in the most provocative part of the story.

I’m looking forward to my next conference, held in November, called “CrimeBake’, sponsored by the New England chapter of Sisters in Crime. This conference is devoted to mysteries, and will no doubt be as equally valuable.

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sketch of question personThere are several publishing houses out there who do not require an agent. This sounds tempting until I read the fine print for their submission guidelines.

The one that I’m considering requests a query email, a 2-5 page synopsis and the entire manuscript as attachments.

My concern centers around my constant worry that someone will ‘borrow’ my story without my knowledge. Compared to the usual process that an agent requires, which is a query letter first, after which they request perhaps the synopsis and possibly the first three chapters, it seems to me that providing everything upfront, electronically, with no prior interaction with a human being puts me at somewhat of a disadvantage.

Am I being a bit paranoid? Probably.

I’d be interested to hear from those of you who are published whether you worked through an agent or dealt directly with a publisher.

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In my inbox this morning sat an email from an agent I recently queried. She represents another cozy mystery writer in the Sisters In Crime organization, and was recommended to me by another agent.

My fingers paused above the file, not sure if they wanted to open it or not. Would I be lucky and get a hit on nearly my first try? Or would she tell me ‘Thanks, but no thanks.’ ???

After several minutes of debate, I hit the enter key and zoomed in on her words like a starving writer…only to be disappointed. Her rejection said my hook was not sufficient to interest any of the editors she knows.

Big sigh.smiley face maybe next time

I’ve been told by both my writing groups that I’ve written a good story, so I’ll be pulling down my how-to books about query letters and improving this one paragraph description by echoing the tension and frustration of my main character.

On a positive note, the only way is up!

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emotion

Traveling this long and interesting road since I decided to try my hand at writing a novel has been a real eye opener. Who knew there was so much involved in putting my story on paper? I respect authors who have written an engrossing story, then managed to find an agent and a publisher. On the other hand, I’m sometimes disappointed with the quality of writing, wondering how a book managed to get published at all.

This brings me to my fear of putting my story out there if it’s not as perfect as I can make it. Fascinating characterization, interesting setting, thoughtful plot line, and control of back story.  I’ve become a great lover of books written to educate a new writer. Most recently, I bought one called “The Emotion Thesaurus”. It  provides a laundry list of examples to write the emotions of your characters without falling into the trap of cliche. As my writing group points out on a regular basis, I sometimes forget to include my protagonist’s emotions, assuming that the reader understands what’s going on in my characters’ heads. Wrongo!

As I’ve been reading through this new how-to book, I’m inspired to go back into my story and find places where the emotional impact of a scene can be more accurately shown…never told!…to make my protagonist more human.

If you have a favorite book about the craft of writing, I’d love to hear about it. Always looking for new volumes to add to my ever-expanding library.

 

 

 

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…to send it out!!!

After many, many revisions, my story finally begins in the right place…I think.

My stronger protagonist encounters the “inciting incident” by the end of page seven.

I’ve moved evil back story into future chapters.

I’ve eliminated narrative that interrupts the plot.

I’ve eliminated duplications and replaced weak verbs with stronger ones.

I’ve been mindful that my internal and external character arc mesh and mingle.

I’m hopeful that readers will be hooked and not put it down until page 309…The End.

So why am I petrified to enter it into a contest for first time novelists!

Where do I find the nerve to JUST DO IT? …no idea.

My calendar is marked with a deadline of mid-October… will I push the button? Stay tuned.

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During the past two weeks, I’ve been participating in an on-line course titled: “Revising Without Getting Sick of Your Manuscript” by Sylvie Kurtz.  The lessons were provided daily via both email and the Yahoo Group website. Each day brought a different aspect of writing fiction:

8-20 – 1.  Introduction

8-21 –  2.  General Outlook

8-22  – 3.  Plot and Structure

8-23 –  4.  Point of View

8-24  – 5.  Scenes

8-25 –  6.  Characters

8-27 –  7.  Dialogue

8-28 –  8.  Backstory

8-29 –  9.  Opening and Endings

8-30 – 10.  Voice, Style, and Details

8-31 – 11.  Conclusion

Sylvie is a fount of knowledge for each topic and provided examples to illustrate the point of each lesson. Her explanations and guidelines were easy to understand. But the best part of it all was her feedback! With her guidance, I now own a respectable pitch that I can send off to agents and publishers.

If you ever have the opportunity to take a course with Sylvie, I highly recommend that you do!

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