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Archive for the ‘revision’ Category

emotion

Traveling this long and interesting road since I decided to try my hand at writing a novel has been a real eye opener. Who knew there was so much involved in putting my story on paper? I respect authors who have written an engrossing story, then managed to find an agent and a publisher. On the other hand, I’m sometimes disappointed with the quality of writing, wondering how a book managed to get published at all.

This brings me to my fear of putting my story out there if it’s not as perfect as I can make it. Fascinating characterization, interesting setting, thoughtful plot line, and control of back story.  I’ve become a great lover of books written to educate a new writer. Most recently, I bought one called “The Emotion Thesaurus”. It  provides a laundry list of examples to write the emotions of your characters without falling into the trap of cliche. As my writing group points out on a regular basis, I sometimes forget to include my protagonist’s emotions, assuming that the reader understands what’s going on in my characters’ heads. Wrongo!

As I’ve been reading through this new how-to book, I’m inspired to go back into my story and find places where the emotional impact of a scene can be more accurately shown…never told!…to make my protagonist more human.

If you have a favorite book about the craft of writing, I’d love to hear about it. Always looking for new volumes to add to my ever-expanding library.

 

 

 

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During the past two weeks, I’ve been participating in an on-line course titled: “Revising Without Getting Sick of Your Manuscript” by Sylvie Kurtz.  The lessons were provided daily via both email and the Yahoo Group website. Each day brought a different aspect of writing fiction:

8-20 – 1.  Introduction

8-21 –  2.  General Outlook

8-22  – 3.  Plot and Structure

8-23 –  4.  Point of View

8-24  – 5.  Scenes

8-25 –  6.  Characters

8-27 –  7.  Dialogue

8-28 –  8.  Backstory

8-29 –  9.  Opening and Endings

8-30 – 10.  Voice, Style, and Details

8-31 – 11.  Conclusion

Sylvie is a fount of knowledge for each topic and provided examples to illustrate the point of each lesson. Her explanations and guidelines were easy to understand. But the best part of it all was her feedback! With her guidance, I now own a respectable pitch that I can send off to agents and publishers.

If you ever have the opportunity to take a course with Sylvie, I highly recommend that you do!

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There’s a dramatic scene toward the end of my novel that begins to resolve the mystery. But I had the hardest time getting this chapter through one of my two writing groups.

The intention was to show frenetic activity as each character stumbled over the others. At first, I had each character’s actions shown in full. Then I tried alternating paragraphs of each characters’ actions to show everything happening at once.

Yesterday, as I went back and forth between the group comments and my subconscious muse, I finally figured out what was sending this scene off on the wrong track.

Too many characters too soon!

And so, I’m busy re-sequencing the timing to bring them into the scene one at a time instead of having all of them there at the beginning. One character finishes before another one enters to interact and move the story along. It seems to be flowing much better. Such a relief.

But wait! I shouldn’t get too excited yet… what if the group still doesn’t think it works???

 

 

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I’ve been fighting with my opening scene for quite some time now.

First is the opening sentence… how to come up with those clever words to convey not only the necessary hook, but have the thought connect indelibly to the plot?

And then there are those opening paragraphs and the scene itself. An agent recently told me that beginning with a phone call was not interesting enough, so I’ve moved it to my character’s arrival at the music shop, where the inciting incident happens. But in those first few pages, I also need to introduce my protagonist, set the scene, and connect what’s happening to her story-worthy problem, even if she doesn’t know what it is yet. And all without a lot of back story… my personal downfall.

A tall order? You bet! I’ve managed to arrive at the inciting incident by the end of page 6, but I’m thinking that’s still not soon enough.

And so, I will continue to massage the words on the page until it reads as succinctly as I can make it.

Will I ever have a manuscript worthy of submitting to an agent or publisher? Good question.

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